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🖋️ “For things to appear new (…) one needs, in art, as in medicine, as in high society, some…

Translated from French.

🖋️ “For things to seem new (…) we need, in art as in medicine and in high society, new names.” (TR, III, 726)

Whilst I’m working on both Proustian settings and medical metaphors 👨🏻‍⚕️ in the Search, my attention turned, somewhat by chance, to the Palais du Trocadéro. Are you familiar with it?

If you think I’m talking about that square-shaped palace opposite the Eiffel Tower, you’re mistaken: that one is the Palais de Chaillot, built in 1937, which Proust (1871–1922) never saw. 🤷🏻‍♂️

However, the Palais du Trocadéro, which Proust knew, had been built in 1878 for the Paris World’s Fair and was demolished in 1935. Its architecture, which was eclectic in style, drew inspiration from Moorish and Neo-Byzantine designs 🕌. It occupied a prominent position during the construction of the Eiffel Tower in 1889 and at the 1900 Exhibition, when the @petitpalais_musee and the @grand_palais made their debut 🫶🏻.

It is therefore indeed the Palais du Trocadéro, and not its successor, that one must picture dominating the Parisian night-time skyline in “Finding Time Again” 🕰️. The palace is flanked by two towers crowned with gilded domes, which have proved controversial as they resemble minarets. The architect indeed wanted them to be “similar to the bell towers that call Christians to church, to the minarets that announce prayer in the East, and to the belfries that once gathered citizens in the public square”.

🖋️ “Throughout the part of the city overlooked by the Trocadéro towers, the sky looked like a vast sea of turquoise hues (…). There, the impression of the Orient I had just experienced returned (…) an Orient that was at once meticulously accurate in terms of costumes and the colour of the faces, yet arbitrarily fantastical in its setting—just as Carpaccio transformed the city where he lived into a Jerusalem or a Constantinople by assembling a crowd whose marvellous variety was no more colourful than this one.” (TR, III, 763)

👇🏻 One last excerpt in the comments. 👇🏻

#MarcelProust #proustagram #PalaisduTrocadéro #Trocadéro #LeTempsretrouvé #ÀlaRechercheduTempsperdu #architecture #1916

Comments 6

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On Instagram

  • P
    @proustagram5 June 2024 · 5
    “It was not the Orient of Decamps, nor even that of Delacroix, that began to haunt my imagination once the baron had left me, but the ancient Orient of “The Thousand and One Nights”, which I had loved so much; and as I gradually lost myself in the labyrinth of those dark streets, I thought of Caliph Harun al-Rashid seeking adventure in the forgotten quarters of Baghdad.” (TR, III, 809)
  • P
    @proustagram5 June 2024 · 4
    Please note: the statues representing the six continents that once adorned the façade of the Palais du Trocadéro were reinstalled in 1985 on the esplanade of the @museeorsay ❤️.
  • K
    @kiaifuro__35 June 2024 · 1
    ❤️❤️❤️❤️❤️❤️❤️❤️
  • P
    @proustagram5 June 2024 · 3
    The page references following the quotations are from the 1954 Pléiade edition (edited by Pierre Clarac and André Ferré), in 3 volumes. ☝🏻
  • P
    @petit_spatz6 June 2024 · 1
    I live right next to Illiers-Combray, which is why I love Proust’s world so much. If you ever need any information about the town, photos or anything else, please don’t hesitate to get in touch. I only recently discovered your account – it’s a real treat for the mind!
  • _
    @_cocolune13 June 2024 · 1
    I have a question about the word ‘mondanité’: what does it mean?

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